In some situations, you may find that using a polyphonic setting in MIDI Guitar works best with a monophonic synth voice. Although it can be a matter of choosing the right synth sound and wet/dry blend, I find the polyphony to be surprisingly accurate. While current hardware versions are probably much better, I can definitely vouch for MIDI Guitar’s tracking capability on the whole. One of the main problems with the hardware converters I’ve used in the past had been tracking. Mostly because it’s far easier to change sounds on the fly in a DAW and I don’t want to tie-up my external analog gear which I use in other ways during a live performance. But due to the nature of my particular setup, using soft synths is a better approach. Of course driving external synths via MIDI is a possibility as well. Woodwind Sound with a nice dynamic swell on the sustain Whittle down that list to a handful of decent sounds and tweak them to make the sounds your own.Īt the moment I’m using four instances of the Arturia Analog Lab plugin which includes emulations of various vintage analog synths. Start by ferreting out a list of possible presets that work well right out of the box. I recommend finding a virtual instrument that offers a variety of choices. Layering multiple synth voices or instances can also be extremely fruitful in developing rich textures. You may want to have different guitar sounds matched with certain synth voices. Some synth sounds are not suitable for this context due to factors like extreme attack times (too long or too fast), or they simply don’t contribute to the tone in a way that compliments your aesthetic. In the case of MIDI guitar tracking, the attack helps the player feel more connected in a tactile way to the sound being produced, a necessity for inspired performance. This approach allows for the transient attack of the direct sound to come through while enriching the sustained sound with synthesized content.Ī mixing analogy would be the New York compression technique, where a dry track is combined with a highly compressed version of a duplicate track in a parallel compression scenario. Part of the magic comes when you combine the dry guitar signal (and by dry here I mean guitar only with audio-based processing) and the MIDI-driven signal, which could be a virtual instrument track (or external MIDI instrument) triggered by the Audio-to-MIDI conversion performed by the MIDI Guitar software. The MIDI Guitar 2 main interface Blending Wet and Dry Here are some ideas I’ve developed to tweak my sound and the playability of the setup. This still may seem high and take some getting used to for some. #The garudian midi jam project pro#With proper buffer settings in the DAW of your choice (I’m using a buffer size of 128 samples at 48k/24 bit) the round trip latency is about 6 ms (3ms input + 3ms output) on a MacBook Pro 2.8 GHz Intel Core i7. #The garudian midi jam project software#Instead, the software is optimized through intelligent algorithms that are incredibly effective at tracking direct audio input, specifically from a guitar or bass. The application requires no additional hardware or attachments. Also, I hated the idea of attaching anything to my guitar.Ī few years ago I came across Jam Origin’s MIDI Guitar plugin (which also comes as a standalone application) and was immediately impressed. Although it was novel and fun to play with for a while, due to the many stuck notes, latency and bad tracking, it soon became more trouble than it was worth. It involved a MIDI pickup that needed to be attached to your guitar which plugged into a box that acted as a sound module and interface. My first experience with MIDI guitar was with a Roland MIDI Guitar system I borrowed from a friend sometime in the late 80s (don’t recall the exact model). But a large part of my creative practice includes live guitar performance and processing, so I thought I’d offer some insight on my efforts to create a synergy between these sonic worlds. Most of the articles I’ve written for The Pro Audio Files have been based on synthesis in the analog and digital realms.
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